TIPHC Newsletter, July 26-Aug. 1, 2020

How Alvin Ailey’s ‘Revelations’ Has Helped Me Find My Way Back to Texas While quarantined and away from home, I keep coming back to the late Texan choreographer’s works—which are newly available to watch online. Photo: Alvin Ailey dancers perform in the "Move, Members, Move" section of Revelations, in 2011. (Earl Gibson/AP) (Texas Monthly)

TIPHC Newsletter, July 12-18, 2020

How a century-old recording revealed the lost world of African-American cantors (Henry Sapoznik) The first few decades of the 20th century saw the rise of African-American synagogues simultaneously drawing inspiration from Jewish tradition and a Black worldview. What accounts for this rise is manyfold: Jim Crow laws which supplanted Reconstruction in the south drove

TIPHC Newsletter, July 5-11, 2020

Why Thomas Jefferson's Anti-Slavery Passage Was Removed from the Declaration of Independence The Founding Fathers were fighting for freedom—just not for everyone. (History.com) With its soaring rhetoric about all men being “created equal,” the Declaration of Independence gave powerful voice to the values behind the American Revolution. Critics, however, saw a glaring contradiction: Many

TIPHC Newsletter, June 14-20, 2020

The Damning History Behind UT’s ‘The Eyes of Texas’ Song Student athletes wrote a letter urging officials to change the tune, which has racist origins. (Texas Monthly) On June 4, after one of their first in-person practices since the coronavirus outbreak, the Texas Longhorns football team lined up outside Darrell K Royal—Texas Memorial Stadium

TIPHC Newsletter, June 7-13, 2020

The 1968 Kerner Commission Got It Right, But Nobody Listened Released 50 years ago, the infamous report found that poverty and institutional racism were driving inner-city violence (Smithsonianmag.com) Pent-up frustrations boiled over in many poor African-American neighborhoods during the mid- to late-1960s, setting off riots that rampaged out of control from block to block.

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